PORTRAIT – If she regularly occupies the screens, it is because the actress combines an indisputable talent for interpretation and a flexible physique, from the most ordinary to the most glamorous. The proof this month with See Paris again and Other people’s childrenwhere it radiates.
Last May, following the closing of the 75e Cannes Film Festival, disappeared behind the scenes of the Palace, a sublime mistress of ceremonies in a black tuxedo dress. At the beginning of September, his enlightened face reappeared on the posters of See Paris again . And fifteen days later, it was in a red sheath dress that the Franco-Belgian actress replayed the game of glamor in front of the photographers at the Venice Film Festival.
Whether she’s in the spotlight or on the big screen, this girl never stays out of the limelight for very long. Because since auteur cinema opened its doors to him (specifically in Cannes, in 2016, with Victoriaby Justine Triet, and Sheby Paul Verhoeven), Virginie Efira is offered the best projects. Other people’s children, which she presented in the city of the Doges, is one of them. To embody her heroine and illustrate, through her, the delicate and fragile position of the stepmother while questioning motherhood, Rebecca Zlotowski did not see…